Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Markus Pernhart
Worthersee bei Loretto mit Eislaufern

ID: 91261

Markus Pernhart Worthersee bei Loretto mit Eislaufern
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Markus Pernhart Worthersee bei Loretto mit Eislaufern


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Markus Pernhart

Markus Pernhart (1824-1871)  Related Paintings of Markus Pernhart :. | Maria Worth | Worthersee mit Loretto und dem Ferlacher Horn | Worthersee mit Militarschwimmschule | Worthersee bei Loretto mit Eislaufern | Painting of Castle Harbach in the 19th century |
Related Artists:
Charles-Amedee-Philippe van Loo
(25 August 1719 -15 November 1795) was a French painter of allegorical scenes and portraits. He studied under his father, the painter Jean-Baptiste van Loo, at Turin and Rome, where in 1738 he won the Prix de Rome, then at Aix-en-Provence, before returning to Paris in 1745. He was invited to join the Academie Royale de Peinture et de Sculpture in 1747, and that year he married his cousin Marie-Marguerite Lebrun, daughter of the painter Michel Lebrun (died 1753). Among his brothers were the painters François van Loo (1708-1732) and Louis-Michel van Loo (1707-1771).
Theodor Leopold Weller
Germany (1802 -1880 ) - Drawer painted Portrat einer Dame mit Brosche in19th century
Domenico di Pace Beccafumi
(1486?CMay 18, 1551) was an Italian Renaissance-Mannerist painter active predominantly in Siena. He is considered one of the last undiluted representatives of the Sienese school of painting. Domenico was born in Montaperti, near Siena, the son of Giacomo di Pace, a peasant who worked on the estate of Lorenzo Beccafumi. Seeing his talent for drawing, Lorenzo adopted him, and commended him to learn painting from Mechero, a lesser Sienese artist. In 1509 he traveled to Rome, but soon returned to Siena, and while the Roman forays of two Sienese artists of roughly his generation (Il Sodoma and Peruzzi) had imbued them with elements of the Umbrian-Florentine Classical style, Beccafumi's style remains, in striking ways, provincial. In Siena, he painted religious pieces for churches and of mythological decorations for private patrons, only mildly influenced by the gestured Mannerist trends dominating the neighboring Florentine school.






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